Happening

DC Comics, one of the two largest comic book companies in the world, also holds the distinction of holding the intellectual rights to some of the most iconic romances in the medium. Superman and Lois Lane are practically comic book royalty at this point, as are Wonder Woman and Steve Trevor and Batman and Catwoman. But Isaac Newton’s fourth law states that for every good couple in comics, there’s one that is equally terrible. And in the modern internet age, terrible is spelled C-O-N-T-R-O-V-E-R-S-I-A-L. From potentially accidental homophobia to bizarrely off-kilter pairings, DC has a not-so-hidden history of poor matchmaking decisions. RELATED: 15 Characters You Never Knew Were In A Gay Relationship While some of them seemed good on paper, they consistently fell apart in execution and have collectively accrued enough fan animosity to choke a Red Lantern. The argument exists that perhaps these controversies could be born out of modern sensibilities being, ironically, too sensitive, but

More than six months after announcing Punisher: End of Days, writer Brian Michael Bendis has confirmed his planned Marvel Comics project isn’t moving forward. RELATED: Defenders Features a Spider-Men II Crossover We Never Expected to See Following in the footsteps of the 2012 miniseries Daredevil: End of Days, by Bendis, David Mack, Klaus Janson and Bill Sienkiewicz, Punisher: End of Days would have likewise told the final story of Frank Castle. “But this won’t be like a sequel,” the writer said in June, “but instead, kind of like a ‘side-quel’ with Punisher. It’s in that world with The Punisher trying to attempt his final ‘Punish.’” However, as Bendis explained in response to a fan question on his blog, “Nothing came of it because the creators involved like myself, David Mack, Klaus Jansen or Bill S. are very busy or had moved on to other companies and we never could really find the right window or the right cre

A Lie That’s Been Unraveling for a WhileOne More Day was a means to an end, the solution in Marvel’s wish to bring Spider-Man back to basics. With writer Dan Slott at the helm of the title, Amazing Spider-Man was re-branded with a new direction labeled “Brand New Day.” Slott carried the title for a decade, sticking his guns to the story he was telling. It didn’t matter that part of the Spider-Man fandom called for a return to the pre-One More Day era. Over the years, Slott’s story took surprising turns, but something peculiar began to happen. In his title, as well as other Spider-Man-related books like Spider-Man/Deadpool, readers would come across a line of dialogue or an exchange that referenced back to the events of One More Day, and the continuity prior to it. We saw it happen in Joe Kelly and Ed McGuinness’ Spider-Man/Deadpool #5, when a dead Peter Parker faced Mephisto in Hell. Later, Dan Slott and Giuseppe Camuncoli&rsquo

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